Amarie Gipson is a writer, DJ and creative entrepreneur. She currently lives and works in Houston, Texas.
FILM PORTRAIT BY BRIA LAUREN.
JUNETEENTH. HOUSTON, TX (2021)
ABOUT ME
Amarie Gipson (b. 1996, Houston, Texas) is a writer, art worker, and DJ. She earned a BA in Liberal Studies (with concentrations in Art History & Philosophy) and Sociology from St. Edward’s University in Austin, Texas (2018). Gipson has held curatorial positions at The Studio Museum in Harlem, The Renaissance Society, the Art Institute of Chicago, the Contemporary Austin, and the Museum of Fine Arts, Houston.
Independently, her work has been published in several journals and magazines including Artforum, ARTNews, ARTS.BLACK, Gulf Coast, and THE SEEN. She is an alumnus of the Mellon Undergraduate Curatorial Fellowship, DAMLI Emerging Art Leader program, and the Momus Emerging Critics Residency.
Gipson is dedicated to ensuring that scholarly discussions of Black cultural production are accessible and carefully historicized. Her research and writing interests range from Black feminist theory and experimental cinema to Southern hip-hop and culture. She is the former Editorial Director of MUD Magazine and the Arts & Culture editor of Houstonia Magazine. Gipson authors The Art of Return, a monthly newsletter on art, culture and Black womanhood.
SELECTED WRITING & EXHIBITIONS
CV and rates available upon request.
REVIEW / The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse for CITE (2022)
PROFILE / Kari Faux for Houstonia (Winter 2021-22, Print)
NEWSLETTER / The Art of Return (2021, updated monthly)
NEWS | INTERVIEWS | PROFILES | REVIEWS / Houstonia Magazine, Arts & Culture (Updated weekly)
INTERVIEW / Ebony L. Haynes of 52 Walker for The Audacity (2021)
ARTIST ENTRIES / African Artists: From 1882 to Now for Phaidon (2021, Print)
ESSAY / Niki de Saint Phalle for Town & Country (Sept 2021, Print)
REVIEW / Deborah Roberts for Artforum (Sept 2021, Print)
ESSAY / What's It All About for Jenkins Johnson Gallery (2021)
INTERVIEW / Reginald Sylvester II for Plaster Vol. 4 (June 2021, Print)
ESSAY / The Art of Return: Bria Lauren’s Affirmation of Black Womanhood for Gulf Coast (March 2021, Print)
EXHIBITION / Harlem Postcards Winter 2020-21 for The Studio Museum in Harlem
INTRO / Amarie Gipson on Tomashi Jackson and voter suppression for Artforum (Nov 2020, Print)
ESSAY / Visualizing Refusal: Ja’Tovia Gary’s Acts Of Care for ARTS.BLACK (2020)
REVIEW / At MCA Chicago, Captivating Collection Show Celebrates Blackness Through American History for ARTnews (2019)
INTERVIEW / Verbal Communion with Jarvis Boyland for Toan (2019)
ESSAY / In Search of the Medu Art Ensemble for Art Institute of Chicago Blog (2019)
REVIEW / Chiffon Thomas: Fractured Reality at Goldfinch Projects for The Seen Journal (2019)
REVIEW / Order of Appearance: In Chicago Show, Martine Syms Examines How Blackness Is Performed, Absorbed, and Circulated for ARTnews (2019)
REVIEW / Bethany Joy Collins: Undersong at Patron Gallery for The Seen Journal (2018)
INTERVIEW / Tammie Rubin for St. Edward's University Magazine (2018)
EXHIBITION / The Usable Past: Reflections on American History 2000–2017 for Google Arts & Culture
INTERVIEW / In Conversation with Nona Faustine for WATER Issue One (2018, Print)
INTERVIEW / In Conversation With Deborah Roberts for ARTS.BLACK (2017)
REVIEW / One / Sixth at de stijl | PODIUM FOR ART for Conflict of interest (2016)
DOUBLEDUTCH
Founder of PHYSICAL THERAPY, a dance party and community in Houston, Texas
(@physicaltherapyhtx on IG)
PRESS
Ilk Yasha, Studio Museum Institute Coordinator, checks in with Amarie Gipson, Curatorial Assistant of the Permanent Collection at The Studio Museum in Harlem.
An interview with writer, critic, and future curatorial- assistant at the Studio Museum in Harlem, Amarie Gipson.
Let’s connect.
Interested in booking a DJ set, writing opportunity, panel, or just want to be in touch? Email me!
Email: amariecemone [at] gmail [dot] com
Instagram: @amariecemone
CV and rates available upon request.